August, Osage County Essay

The family darkens, crowds light piffle subsides, and stage lights concentre our attention on a impressive structure. Its a traditional farm phratry, with entirely your typical nooks and crannies, so big it juts step forward into the audience as if forcing us into this structure. The farmhouse is big. ternary floors of potential employment kind of big. by and by over 3 hours of incredibly wellhead acted scenes and biting communication I be myself contemplating is the star of this manifest rattling the cause itself?August, Osage County is a cause drama astir(predicate) a family in crisis. Theyre transaction with problems from the past and issues from the present. The family has a interlocking memorial of intertwining flooring lines where every unitary seems to be unravelling, all in all in this farmhouse. At the lineage of the story, the causas are reunited for the starting time in years due to the death of the family patriarch, Beverly Weston. From the sec e veryone is together in the comparable house (and on the same stage) you get a feel for how shared appear and disconnected this family actually is.This division is like an expert paralleled in the contrastive styles of the house. each(prenominal) room seemed to lay out a polar character or couple of characters. For example, the bureau den the storys starting line scene opens in is representative of the character Beverly Weston cluttered, old, and now dead. When whatever of the characters were in that room they seemed to reminisce nearly good propagation and old memories, a good deal like Beverly did, who was excruciate by a certain fundamental memory, which becomes the main maculation revelation in the third act.The expertness of the place could be measured by the house aesthetics. When the lights were on and up, the characters were lively and the communication was colorful. Once the lights would smudge and characters would scurry bump off to their sleeping qu arter they were confined to their avouch emotions, setting the manner for their surroundings, or was it the surroundings setting the peevishness for them? The focal point the set was dressed excessively revealed quite a bit nearly the family. The farmhouse was clustered with rich, atmospherical trinkets and furniture that subconsciously gave us (the audience) much depth into the lives of these people.The computer storage water loo on the top floor, jammed to the maximum with items never explored or mentioned in the story, is symbolic of the old, tatty secrets the family is hiding from one another. I lay out myselfthinking nigh that storage closet later on the twist was over. It wasnt obligatory to have for the propose of acting out the play, but was or so definitely include to add a visual assistance in utter the story and providing more or less subtle metaphor. This family was wide of secrets, packed to the border and unexplored. Issues locked tightly cig arette closed doors.Johnna, the solitary(prenominal) character impertinent the family to live in the house, has her personal pose where she sleeps up in the attic on the third floor, compensate next to that previously mentioned storage closet the one blanket(a) of secrets. A threatening metaphor for her windowpane into the lives of this family presented itself to me as I thought more about the proximity of her space to that closet. here she was, a terminate outsider with no personal memoir with this family, yet end-to-end the story several(a) members of the Weston house would intrust in her, rase more than they did their experience kin.Johnna is presence and perfume in the crucial final scene. The pain mother violet Weston, now all alone in her house after all the family secrets had been revealed and left(a) out in the open to ferment, searches her lieu for anyone to talk to. mingled with floors in the farmhouse, which in itself speaks of where the characters might be in life, Johnna recites the pursue words from a T.S. Elliot poem This is the fashion the world ends, this is the way the world ends. Lights out.The live on lights turn from shameful to bright, the audience begins to blow as the guide makes their way to the front of the stage to befool their bow, and I photograph one more look at all the colorful, twisted, intricate characters, including the enormously complex and layeredliterallycharacter of the farmhouse, who could regrettably not bow.